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Madness in Shakespeare’s Hamlet

Categories: Shakespeare

Madness may be “mental incapacity caused by an unmentionable  injury.” Such wounds often are not easily perceived but may be  revealed in time of stress.  Hamlet’s question, “have you a  daughter?”(Act II. Sc2 182) Polonius about the Prince’s emotional  state.  What is hidden will surely be told to Cloudius by his adviser.  Laertes’ search for revenge is sharper proof that madness in degrees  of publicity causes harm to the observers.  Claudius promise “no wind  of blame”(Act IV, Sc.7,66) once Laertes kills Hamlet; perhaps this is  what the uncle has sought all along for himself.  Ophelia has a  unique, very powerful form of madness; she seems caught as a “baker’s  daughter,”(Act IV, Sc. 5, 42) between memories of her father and  Hamlet who ought have  spokedn to her of events on “Valentine’s  day.”(Act IV, Sc 5, 48)  She is doubly hexed and the madness she has  infects the whole court.  Once a person’s mental state has been  studied in public, there is no telling the injuries which may affect  the viewers.

Ever since the death of King Hamlet young Hamlet has been what  appeared to be in a state of madness.  In a discussion between Hamlet  and Polonius Hamlet questions Polonius by asking him “have you a daughter.”(Act II, Sc.2, 182)  In this discussion Hamlet shows antic behavior towards Polonius by mocking him when Hamlet would usually  show great respect for him because of he age and heis high position in  the court.  This sudden question to Polonius has caused Polonius to  believe that Hamlet has a form of love-sickness and that Polonius is  sure to tell Claudius of his condition.  Hamlet also accuses Polonius  of being the “Jephthah, judge of Israel,”(Act II,Sc.2, 399) meaning  that Polonius would put his country in front of his daughter.  Hamlet  has now convinced Polonius that he is in a state of madness because he  knows that Polonius cares for his daughter very much and would never  put her second.  By convincing Polonius that he has no consideration  for the well-being of others, Hamlet is then hoping that Polonius will  tell the court of his emotional madness.

Unlike Hamlet, Laertes has developed a different kind of  madness, a madness that is controlled by revenge.   When Laertes is  talking to Claudius, Laertes gets so much revenge building up inside  him against Hamlet that Laertes now wants to “cut his throat.”(Act  4,Sc.7,125) Laertes’ behavior is caused by the sudden death of his  father who was without a due ceremony, and his sister who has been  driven mad, has contributed to the madness that is being built up  inside Laertes.  This madness grows even stronger when Claudius  promises “no wind of blame”(Act IV.Sc7,66) when Laertes kills Hamlet.  With Claudius being the puppet holder and Laertes being the puppet,  Claudius turns Laertes into a savage beast to avenge for his fathers’  death; perhaps this is what the Claudius has planned all along. Laertes has a form of madness that is escalating because Laertes knows  that he has the capabilities and motivation to act on what he believes  on.

Ophelia has a unique form of madness unlike Hamlet’s and  Laertes’ because it a mixture of  love and hate.  An example of hate  is when she sings about a “baker’s daughter.”(Act IV,Sc.5,42)  Ophelia  is referring to the way her father used to treat her before the tragic  incident of his death.  A love within her madness is when she speaks  about the events on “Valentine’s day.”(Act IV, Sc.5,48)  When Ophelia  speaks about Valentines day she is referring to the events of romance  that she was denied.  Ophelia’s madness is brought on by her lack of  being able to demonstrate any maturity in trying to cope with her  losses and in return can only inflict her madness on the court.         By stating that Hamlet could have controlled his fraudulent  madness, he then had the capability of controlling his conscious mind  into acting traditional.  Where Laertes was very influential by others  and had no real control over the mental state he was developing by the  sway of  Claudius.  Ophelia was the most innocent victim of all  because she was the side affect of everyone else’s actions and had no  idea that she was mentally disintegrating. It can be noticed that  within each of these three people there can be no reassurance on what  the affect they may have on others due to their mental state in  public.

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